UWdeVSTThe gliding entrance
Initial glide shapes the start of the note. A few chosen entrances can give a melody intention without constant ornament.
Yaylı Tanbur
Give the note time to unfold.
A synthesis interpretation of the Turkish bowed lute. Initial glide, bow pressure and resonance give direction to slow themes and sustained notes.
Sales pausedVST3 · Standalone · Windows / Linux x64
Explore the interface
Expression unfolds over time.
Contact with the bow
Bow pressure and Vibrato explore emphasis and pitch movement. Hear their effect on a long note before building a theme.
Resonance
Neck resonance, Nasality and Body warmth refine the lute’s colour. Find a voice that holds its place above the chords.
New demos coming soon.
The audio engines have been reworked. The previous recordings have been removed while their replacements are prepared.
Istanbul · Turkey
A slow line above an electronic world.
A theme can say enough with a few notes when bow contact and duration carry the expression.
Write fewer notes
Place a short theme above open chords. Leave time to hear the entrance and sustain of each note.
Choose the inflections
Save glides and vibrato for the moments where the phrase needs them.
Open the depth
Balance reverb in the rests. A subtle electronic pulse can add another reference without covering the theme.
Give the note room to breathe.
Explore the five native interface views, from playing controls to the final treatments.
01 / PLAY
A phrase that develops over time.
Six controls connect the bow, the entrance of the note and the resonant colour of the model.
Enter the note
Initial glide shapes the gliding entrance while Bow pressure sets the contact. Try them on the first notes of a phrase.
Sustain the intention
Vibrato adds pitch movement. Let a note develop to find an amount that supports the theme.
Choose the lute’s voice
Neck resonance, Nasality and Body warmth explore three aspects of the colour. Refine them with the chords playing.
Bring it into your studio.
FORMATS & WORKFLOW
- VST3
- Compose and automate inside a compatible audio workstation.
- Standalone
- Play the instrument on its own, with your MIDI keyboard.
- Windows / Linux x64
- A synthesis instrument controlled by MIDI. No separate sample library to install.
BEFORE YOU START
- What creates the sound?
- This instrument is a synthesis interpretation. Its dedicated playing controls explore the character of the instrument through a MIDI keyboard or a part written in your audio workstation.
- What can accompany it?
- Try an open piano part, an uncluttered pad or a slow pulse. Leave the melodic register enough space to hear the glides and resonance.
- Can I hear it?
- Audio demonstrations and videos will be added here soon.
- How do I install it?
- Read the installation guide
UWdeVST / RELEASE & DOWNLOADS
Ready for your next project.
Current package · 1.0.0-20261101
Instrument updates are published regularly. Find the packages available to you in your library, and subscribe to update news if you wish.
Up to 24 voices · MIDI input · digital synthesis
| System / format | Size |
|---|---|
| Linux x64 · .deb | 12.7 MiB |
| Linux x64 · .tar.gz | 14.2 MiB |
| Windows x64 · ZIP | 30.8 MiB |
Presets, MIDI & measured performance
- Factory settings
- 3 presets
- MIDI
- MIDI input · MPE not supported
- Windows application files
- 21.4 MiB · standalone + VST3 + documents, excluding shared Microsoft runtime
- Linux installation
- 21.1 MiB · .deb files installed, excluding system dependencies
On the tested configuration
Intel(R) Core(TM) Ultra 7 265KF · 31.7 GiB RAM · Windows 11 26200.
| One voice, default setting | 0.231 ms / 5.33 ms |
|---|---|
| Selected stress setting · 24 voices | 2.263 ms / 5.33 ms |
| Heavy setting · 95th percentile | 2.508 ms |
| Host + instrument · peak RAM | 23.2 MiB |
Measured processing time per audio block in an offline VST3 host, after warm-up. Three 60-second renders per case; 128, 256 and 512-sample blocks. Exposed reverb, delay, chorus, flanger and phaser controls were toggled; other processing kept its preset settings. The stress setting was selected from the programs exposed to this host. These figures describe this configuration, not minimum requirements or guaranteed real-time DAW performance.
Linux installation and dependencies checked in a Debian container. Audio hardware and Linux DAWs were not tested.
Measurement details · 1 November 2026 ↗VST3 plug-in and standalone application. Windows packages include the Microsoft Visual C++ x64 runtime. Linux builds require glibc 2.36 / libstdc++ 12 and ALSA/X11 libraries. macOS is not available.
How do I get my instrument?
After payment is confirmed, your instrument appears in your account. Choose the archive for your system there.
Perpetual licence. No subscription.
A perpetual right to use the acquired instrument under licence v2.0. No mandatory subscription or paid renewal.
Practical questions
Are updates included?
For instruments in a paid order on the official website, including promotional gifts, published updates to the same instrument are included at no extra charge while distributed. No release schedule or permanent online access is guaranteed. Separate expansions and content are not automatically included.
Can I release and sell my music?
Licence v2.0 permits personal and professional musical use within the acquired offer. The publisher claims no ownership or royalty in your original compositions and recordings, subject to third-party rights. This does not authorise redistribution of the software.
How many computers can I use?
Licence v2.0 does not set a numerical maximum on computers. It does not permit sharing the software or a licence between legally distinct people or entities. See section 3 of the full licence and the terms of the acquired offer.
What about refunds and support?
The terms of sale provide a normal fourteen-day withdrawal period, with no waiver required for downloading. You can submit a request from your orders or the withdrawal form. The form does not issue automatic refunds.